![]() In the world of Factory Automation for Electronics, i-PULSE has become synonymous with Quality and Integrity. ![]() There simply is not a better-built machine available. These machines are rugged, versatile, highly flexible and efficient. All i-PULSE mounters use state-of-the-art Vision Processing. The software is straight-forward and simple to use. (Tokyo: 7272) announces the release of its new S10 and S20 i-PULSE 3D HYBRID SURFACE MOUNTERS with enhanced support for MID's (Molded Interconnect Devices) from September 1, 2015. At First Choice Assembly we have ten Ipulse pick and place surface mount PCB assembly machines (made by Yamaha) capable of placing anything from 0201 to. All machines come standard with many outstanding features that are typically ‘options’ on other brands. IWATA, May 28, 2015- Yamaha Motor Co., Ltd. The i-PULSE machines are built to run – accurately and trouble-free – for a very long time. They require the least intervention for service of any kind, including maintenance, repair, or calibration. i-PULSE has won numerous awards from the Japanese Government for their manufacturing techniques and results. They are dedicated to provide the best equipment available. And Amistar Automation is proud to offer i-PULSE products in North America. Watch these videos for detailed information about these features: IPULSE offers the highest quality and flexibility in SMT solutions with a wide variety of modules for specialized functions. The S20 is the newest offering from i-PULSE. It has the highest throughput of any i-PULSE machine to date – at 45,000 CPH (ideal conditions). ![]() The S20 is a single-gantry, single-lane mounter with 12 placement heads, capable of handling components from 01005 (0402 metric) to 120mm x 90mm, and maximum component height is 30mm. S20 can also handle Very Large PCB size, up to 1455mm (57”) x 510mm (20”) standard. I am sure Yamaha had no idea what they had started with the release of the SPX90, but many manufacturers chased after their success from that day forward with companies like Alesis and Roland seeking to emulate the enormous success of the Yamaha SPX90.Larger PCB size capability is available as an option. This effect is a complex chorusing effect which is great for solo instruments, in particular guitar. The effect it is most revered for however is the Symphonic preset. Reverbs were pretty good for their time and certainly when used for a Portastudio demo or for snare reverb on a live band, they sounded great. ![]() While the effects were not the best of class, they were very usable. Home studios found the Yamaha SPX90 an indispensable tool too, it was the effects processor to have, unless you could afford the Lexicon PCM70 of course as the Lexicon was a more desirable brand purely because of their dominance in the big studios in the 1970s through to the 1980s. In truth, those PA systems of the day would usually have more than one SPX90 in their effects racks with each doing different effects. The Yamaha SPX90 was a mono in, stereo out effects processor that offered just about every effect you could ask for including reverb, delay, modulation effects such as chorus, flanging and phasing, as well as gates, compressors, vibrato and panning. That same year the equally legendary Lexicon PCM70 was released, but the Yamaha SPX90 was more affordable and found its way into just about every effects rack of every PA system of the day. ![]() The one that started it all, the Yamaha SPX90, introduced in 1985 it took the world by storm and cemented it’s place in effects processor history.
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